Demo audio excerpts (mp3s) are available for many of these works; visit the audio samples page for links and more details. A CD demo of my sound design work is also available; email me for details.
Elliot, A Soldier's Fugue, by Quiara Allegria Hughes, directed by Katerine Kovner, Luna Stage (Montclair, NJ) (January-February 2008).
Little Beasts, by Jeanne Marshall, directed by Jane Mandel, Luna Stage (Montclair, NJ) (April-May 2007).
Honor and the River, by Anton Dudley, directed by Nancy Robillard, Luna Stage (Montclair, NJ) (February 2007).
It's A Hit!, a maniacally melodramatic murder mystery musical by Beth Saulnier, David Weinstein, and Melissa Levis. Village Theatre (NYC International Fringe Festival) (NYC) (August 2006).
Falling Petals, written by Ben Ellis, directed by Mark Armstrong. Wings Theater (NYC) (May-June 2005).
The Queen Says Farewell To Her Favorite, written and performed by Merrianne Moore, directed by Sonoko Kawahara, featuring live music performed by musicians from the Beijing Opera. Connelly Theater (NYC) (March 2005).
The Drama League Directors Project, four short plays by Shirley Lauro, Anton Chekhov, Carol Churchill, and Adam Rapp; directed by Laurie Sales, Stephanie Gilman, Hayley Finn, and Shelley Butler. Produced by the Drama League at the 45th Street (Primary Stages) Theatre (December 2004).
The Cherry Orchard: Fir's Dream, translated by Constance Garnett, adapted and directed by Sonoko Kawahara for the Chekhov NOW festival, Connelly Theatre (NYC) (October 2004).
Beware the Man Eating Chicken!, written by Henry Meyerson, directed by John Peterson. New York International Fringe Festival (August 2004).
Running Start, an series of one-act plays by Nichol Alexander and Ryan Hill, produced and directed by the Blank Slate Theater Company. Theater Row (NYC) (February 2004).
Virgo Genetrix, a dance-play with puppets written, directed, and choreographed by Christopher Earle Williams with live music performed by the Anonymous 4. HERE (NYC) (May 2003).
Broken Morning by Chiori Miyagawa, directed by Sonoko Kawahara, HERE (NYC). Also music director (songs by Daniel Sonenberg and Mark Campbell) (Feb.-March 2003).
The Cuchulain Cycle by W.B. Yeats, directed by Sonoko Kawahara, Fordham University. (November-December 2002).
Phoenician Women, Synapse Productions, Ohio Theatre. Work included multi-channel speaker installation and live electronics. (November 2002).
Expiration Date, Three One-Act Plays by Andrew Condell and Harry Kondoleon, directed by Terry Martin, Clark Studio Theater (Lincoln Center) (2001).
It's Not My Fault, It Was On Fire When I Got There, written and directed by Carl Andress, Theater for the New City (2001); sound designer and music arranger (music by Dick Gallagher.) Additional performances at Club Hector in the Jean Cocteau Repertory Theatre (March 2002) and 2002 NYC Fringe Festival.
Zoo, multi-media interactive production, MW Theatre Company. Access Theater (2001); also at NYC Fringe Festival (2001).
The Legendary St. Vincent Design, Wings Theater (NYC). Composer of incidental music, sound designer (July-August 2001).
Malibu Revisited, John Hart (playwright), Chris Stillwell (director). The Producers' Club (2000).
A Streetcar Named Desire, Northern Stage Company (White River Junction, VT). (2000)
Journey's End, New 42nd St. Theatre. Soundscore/Sound Designer (2000); rated Highly Recommended by Off-Off-Broadway-Review (OOBR) website/newsletter.
Nighthawks, Expanded Arts Production. Soundscore (1997).
Here is a (brief) list of technical equipment I have worked with:
